Multiple universes are now accepted by the same Technocrats who scoffed at "superstitions" that were always known to ancient cultures worldwide. Given their disconnect from anything natural and even from a balanced psyche, CERN wants to see gravity transferred across multiple universes, such that "gravity can leak into extra dimensions, and if it does, then miniature black holes can be produced at the LHC [CERN atom smasher]." This is contrary to ancient folklore and mythologies that knew the boundaries between these worlds are not to be crossed, certainly not by most people, and these boundaries should be respected. These Technocrats' hubris is such that they want to open up a portal (much like the occult symbolism present with 9/11) between worlds. We can see this in light of my previous article that detailed how a floodgate of spiritual entities unleashed itself these past few years. Could CERN be such a portal intensifying Wetiko mind-viruses and Archontic Infection on a mass scale through its Technocratic hubris?
They will selectively take from ancient wisdom but invert the meaning and make the sacred profane. An example is how they distort the symbolism of the Vedic Lord Shiva. On 18 June 2004, CERN unveiled a 2 meter-tall statue of Shiva and his Cosmic Dance. Why it did so it explained
thusly: “In the Hindu religion, this form of the dancing Lord Shiva is known as
the Nataraj and symbolises Shakti, or life force. As a plaque alongside the
statue explains, the belief is that Lord Shiva danced the Universe into
existence, motivates it, and will eventually extinguish it. Carl Sagan drew the
metaphor between the cosmic dance of the Nataraj and the modern study of the
'cosmic dance' of subatomic particles.” CERN sees itself as “dancing” the life
force into existence, their Scientism proclaiming its transcendence along with its hubris to destroy what it “creates”.
Dissolving Self and Psyche through the Jab
Doing its faithful part offering its services for Transubstantiation of the Jab, CERN is near headquarters of the World Health Organization and Gates' GAVI, The Vaccine Alliance. All three are funded by wealth governments steal from taxpayers and workers, their policies decided in secrecy and carried out by those governments using propaganda means - Dark Sorcerers of a Medical Tyranny. Their objective is to control and alter minds, as in the meaning of pharmakeia (φαρμακεία): "the use of medicine, drugs or spells; drug-related sorcery."(4) In his "Ultimate Revolution" speech at Berkeley in 1962, Aldous Huxley famously predicted a "pharmacological method of making people love their servitude." When we see the religious fervor with which so many obediently follow every dictate by government and media for their health and bodies, trusting the dogmas of selected "experts" placed before them, lining up for the perpetual-dose jab, and virtue signaling themselves as "superior" than others for their compliance, we are seeing people pharmacologically-induced into a Cult.
On 16 Jan. 2019, WHO head (and Ethiopian Marxist activist) Tedros Adhanom Ghebreyesus posted a picture of himself meeting with Chinese officials in front of a Shiva statue: "WHO & #China have enjoyed a long & productive partnership. WHO is proud to have supported the overseas training of more than 2000 Chinese #HealthWorkers. Grateful for China's commitment to strengthening health systems in other countries through its Belt and Road Initiative." Foundations were laid before the events of 2020 which facilitated the geopolitical interests of the Belt and Road and other power-forces of which the WHO is merely the outer "medical" authority. The inclusion of a Shiva statue at their meeting is a deliberate message of their shared will to destroy old systems, including local forms of sovereignty, and rebuild a new Globalist bureaucratic structure on top of those ruins.
Witnessing the first modern nuclear explosion at the "Trinity" site near Alamogorado, New Mexico, on 16 July 1945, J. Robert Oppenheimer quoted two passages from the Bhagavad Gita(5): "If the radiance of a thousand suns were to burst at once into the sky, that would be like the splendor of the mighty one" (11:12), and when Vishnu told Arjuna: "I am Death (Shiva), the destroyer of worlds" (11:32). The phrase he rendered as "death" was translated as "Time I am" by a leading Hindu sage.(6) When Oppenheimer appeared before a crowd at Los Alamos on August 6th (the night of Hiroshima), he only lamented it was not completed in time to use against Germany.(7) Almost like an incantation, Oppenheimer was proclaiming himself to be "Destroyer of Worlds" through his work on the bomb. It was a dark occult ritual that was also inverting the true meaning of Shiva.
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"Saturno devorando a su hijo"
by Francisco Goya, 1819-
1823. Allegory for Time
devouring its "children"
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Creativity Flows From Destruction
None of this proves any devotion of these Dark Occultists to Shiva, but how they invert the polarity of energies he symbolizes. Shiva is the destructive balance to the creation personified by Brahma - and both are associated with Vishnu, who personifies Preservation. Both power-forces(8) are present within Nature and the Cosmos - there is a time and place for both energies. Like the Roman Saturn and Greek Chronos, Shiva represents Time - what we perceive and measure as time decays until a new cycle begins. Shiva relates to us through our own Shadow, the Unconscious aspects of our Personality we need to integrate and make Conscious: "India balances Brahma, the god of creation, with Shiva, the god of destruction, and Vishnu sits in the middle keeping the opposites together. No one can escape the dark side of life, but we can pay out that dark side intelligently. The balance of light and dark is ultimately possible - and bearable."(9)
As a "Wild God of Power and Ecstasy", Shiva represents a primal archetype through whom "we enter realms deep in our innermost nature and simultaneously penetrate the profundities of ancient history": "The mystery we are approaching is the image of the human being itself. At the beginning of time, the image appeared as in a flash of lightning, by which a surprised primate saw himself for the first time and, in that instant, was torn from the dream consciousness of his animal state. This image of light, stunning that first human soul, has remained engraved in the human memory ever since. Undefinable and inapprehensible, the image was, nonetheless, given thousands of names, decorated with endless attributes, and honored in myriad rites and rituals."(10)
Such primal images inspired creativity within early human beings, no matter the specific cultural name they gave this power-force. They viewed seasons changing, with destructive natural forces giving way to creative elements in a perpetual cyclical dance. They observed new life sprouting forth from decaying trees in a forest. Through observing how these cosmic and natural forces "danced" (to use the imagery of Shiva), they extrapolated how these power-forces also exist within ourselves. Creativity means destroying old qualities holding you back from manifesting your talents. Learning something new means creating new neural pathways and destroying your previous ignorance. To know yourself is to destroy the lack of awareness previously held about yourself and the world, bringing what was hidden within your Unconscious into the light of Consciousness. Self-awareness is free will to create more experiences, using your innate freedom to manifest your will into outer reality.
Self-Awareness and Power
Its the timeless maxim to "Know Yourself" as was inscribed on the Oracle of Delphi. All organic tribal societies regarded their spiritual elites as the most self-aware individuals. Druid comes from a Celtic word meaning "true" and "to know", which also relates with "to see" (trusting your intuition and senses). Gnostic comes from a Greek word meaning "those who know as the gods know".(11) Shaman comes from an Evenki (one of the Tungusic peoples of northern Siberia) word meaning "to know". Although the term itself comes from Siberia, tribal cultures worldwide had their own shamanic tradition under different names - there is no "appropriation" as its primal and the potential exists within all. The shaman is the "Wounded Healer" as defined by the Hungarian psychologist Károly Kerényi: "To be at home in the darkness of suffering and there to find germs of light and recovery with which, as though by enchantment, to bring forth Asclepius, the sunlike healer."(12)
Self-awareness comes out of confronting the Shadow and one's traumas, ascending and descending throughout a life-long process with no place for such unnatural notions as "perfection" or always being "happy"; one should strive for the contentment that comes from being authentic. Speaking from his calling as a Lakota medicine man, John Fire Lame Deer advised how one "should experience and feel all the ups and downs, the despair and joy, the magic and the reality, the courage and the fear, of his people. He should be able to sink as low as a bug, or soar as high as an eagle." "You can't be so stuck up, so inhuman that you want to be pure, your soul wrapped up in a plastic bag, all the time," but "being right in the midst of the turmoil, not shielding yourself from it. It means experiencing life in all its phases. It means not being afraid of cutting up and playing the fool now and then. That's sacred too."(13)
A crucial aspect is Intuition, a guiding sense whether or not one is out of sync with Natural Law. It may express itself in bodily sensations, but ultimately is "very deep-rooted in our consciousness" as noted by the Irish artist and magician Thomas Sheridan. "The creative intention that spawns from this intuition truly is a magical undertaking where you know the creative person is connected at a higher spirit." An awareness that we are interactive with the universe, not merely a passive observer. Seeing our lives as an energetic process, where we move with these higher cosmic and natural forces but with enormous leeway to create and manifest our reality. Taking control of our lives and manifesting that creative will outward, following our intuition means we cannot be easily programmed and conditioned. "We can all as individuals build the reality we desire through the artistic creative magic which we may not see the results in our own lifetimes as straightforward but sometimes you do. We can all drop these pebbles of our creativity into the pool of collective human experience from this creative plunge. The ripples will continue into all eternity and beyond."(14)
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"Die heilige Stunde" (1911) by the great German Heathen
artist and visionary, Ludwig Fahrenkrog (1867-1952) |
Basic Definitions of Magic
This brings us now to some basic definitions of Magic. There are few terms as loaded with as many wrong associations, whether it be those who reduce it to stage tricks, elaborate ceremonies and costumes, or to obtain mundane ends; those who arrogantly dismiss it as the superstitious glimmer of a "backwards" history; or those who demonize and confuse it with the inverted magic of Dark Occultists. All these are wrong perceptions that play into the spell that has binded most of humanity by this Psychopathic Control System. The ultimate ways to defeat that is to set up Parallel Societies through Creativity and Non-Compliance - both of which tie into the definitions we will see below. Creativity carries responsibility to "create dangerously" and provides an "emancipatory force" against tyrants, as expressed by the great French writer Albert Camus.(15)
Magic also means to see the Earth as enchanted - as it always is and has been, despite the veils of delusion clouding most people from appreciation and Gratitude. The importance of giving meaning to life, seeing it in terms of allegories and metaphors; one's own life as an unfolding Mythology, that we are active writers acting out our own Monomyth as noted by the American mythologist Joseph Campbell. Seeing our achievements as personal heroic triumphs over obstacles. Learning from mistakes and errors, which we can turn into mere opportunities for growth. Realizing the limitlessness of our potential, even through our limitations. These are part of a magical process not only accessible but instinctive to all who care to demystify what has been blinded from us while appreciating the actual Mysteries of life.
Magic (n.) late 14c, magike, "art of influencing or predicting events and producing marvels using hidden natural forces," also "super-natural art," especially the art of controlling the actions of spiritual or superhuman beings; from Old French magique "magic; magical," from Late Latin magice "sorcery, magic," from Greek magike (presumably with tekhne "art"), fem. of magikos "magical," from magos "one of the members of the learned and priestly class," from Old Persian magush, which is possibly from Proto-Indo-European root *magh- "to be able, have power." (Online Etymology Dictionary)
"Magic is the art of causing changes in consciousness in conformity with the Will." (Dion Fortune) "Magic is the art of effecting change in consciousness at will." (William Butler Yeats) "Magic is just the art of changing the focus of consciousness at will." (Robert Anton Wilson, The Earth Will Shake, 1982)
"Magic is the science and the art of causing change to occur in conformity with will." (Peter J. Carroll, Liber Null & Psychonaut: An Introduction to Chaos Magic, San Francisco: Weiser Books, 1987, p. 15)
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Illustration of Wodan and a Seeress, by
the German graphic artist Emil Doepler |
"Magic is a set of techniques and approaches which can be used to extend the limits of Achievable Reality. Our sense of Achievable Reality is the limitations which we believe bind us into a narrow range of actions and successes - what we believe to be possible for us at any one time. In this context, the purpose of magic is to simultaneously explore those boundaries and attempt to push them back - to widen the 'sphere' of possible action." (Phil Hines, Condensed Chaos: An Introduction to Chaos Magic, Tempe, AZ: The Original Falcon Press, 1995)
"Magic is the science and art of causing change, on a material as well as a spiritual level, to occur in conformity with will by altered states of consciousness." (Frater U.:D., Secrets of Western Sex Magic: Magical Energy & Gnostic Trance, St. Paul, MN: Llewellyn Publications, 2002)
"Magick is the science and art of causing change (in consciousness) to occur in conformity with will, using means not currently understood by traditional Western science....In this case 'will' is understood not in terms of the individual’s petty wants and desires, but rather as an intention that is in harmony with the fundamental essence of the individual’s Higher Self, and also in full accord with natural or cosmic law." (Donald Michael Kraig, Modern Magick: Twelve Lessons in the High Magickal Arts, St. Paul, MN: Llewellyn Publications, 2010)
"Real Magick is not merely an assortment of skills and techniques. It's more like an open-minded attitude, a blend of interest and dedication, which allows each honest mage to observe, to learn, to adapt, and to invent unique ways of changing identity and reality from within." (Jan Fries, Visual Magick: A Manual of Freestyle Shamanism, Mandrake of Oxford, 1992)
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"The Sacred Grove of the Druids", from the opera "Norma"
(1831) by the Italian composer Vincenzo Bellini |
Witchcraft and Concluding Thoughts The word and concept of Magic itself is not the property of Kabbalistic-inspired ceremonial magical schools, with their dogmas and ceremonies. Rather, its an organic and natural outgrowth from the landscape itself and each people's unique relationship with that landscape, as well as their potentials. This is why there are unique folk magic traditions down to regional differences, including even in the most-industrialized societies and the "New World". It says much about the human condition, that we have these tools within ourselves and our biospheres already to be empowered, being both and at the same time grounded to the Earth and reaching to the Stars. We can recognize this in the wonderful secrets revealed by the etymology of a closely-related word to magic: Witchcraft. Witchcraft comes from the Old English wiccecræft, combining the two elements: wicce "female magician, sorceress" or wicca(16) "sorcerer, wizard, man who practices magic" + cræft "power, skill". These derive from Proto-Germanic *wikkjaz "necromancer" -> Proto-Indo-European *weg-yo, *weg "to be strong, be lively". There are possible connections with Gothic weihs "holy, sacred" and Proto-Germanic *weihan "consecrate". (Online Etymology Dictionary). The Grimm Brothers suggested a link to the Ingvaeones(17) via a word wikkon related to the Gothic weihs, which he proposed as coming from the PIE *weik- "to separate, to divide", pointing ultimately to Germanic divination and other magical practices reported by the Roman writer Tacitus. (Wilhelm and Jacob Grimm, Deutsches Wörterbuch; and Reallexikon der germanischen Altertumskunde, Vol. IV, p. 506)
As noted by the Gnostic teacher and visionary John Lamb Lash, "witchcraft" also comes from the same Indo-European root as "wit," "wisdom", and "magnify", which he identified with using one's will and intention. It was in that same interview that Jeffrey Daugherty gave an interesting distinction between magic and witchcraft: "Magic is where you use somebody else's sigils, incantations, and spells, the names and powers of other people, and many times without concern to the intention or will of other people. Whereas witchcraft is the use of your own intention, your own will in accordance with the laws of nature, only to do benevolent manifestations of your own will." We can see this in our original subject: Wal- has various magical meanings ("wands, staves") + burga/purga ("towns, mountains, hearth"), so is the Magic that comes from the Earth Herself.
Ultimately, this is an interactive magic that comes from living in balance with a sentient Earth, having an animistic perspective as stressed by Lash: "She is a great power and source of our lives. So when you practice magic to magnify your own intention, you combine your own intention with her intention. That's what causes the magnification. You can't magnify it on your own." Its a power-sharing, rather than a power-trip. Gratitude is an essential element in this empowering magic - lacking to the authorities whose hubris is compounded by their greed and envy against the planet and humanity. True Magic is the initiatory path of The Anarch, grounding us to the Earth whom birthed us while also allowing our potential to soar with the Stars. We have the power that the profane authorities envy because theirs is an illusionary one that is neither grounded or limitless despite all their desperate efforts.
Footnotes and Sources:
(2) Just some examples: Marx's call for the "abolition" of all traditions, morality, family structures etc. overlapping with the subversive goals of 18th-century secret societies. Influence of Russian occult thinkers like Nikolai Fyodorov (a precursor to Transhumanism) on the early Soviet regime, especially Trotsky whose occult interest was well-known. The burgeoning ideology of Cosmism within the USSR, with its views on the "divine" potential of "scientific materialism" to overcome humanity, nature, and the cosmos. The massive library of magical and occult works released from the Soviet archives only after 1991, quickly seized upon by Western NGOs and academic institutions.
(3) That movement distorted Germanic archetypes and symbols for profane (political) ends, transposing them upon a centralizing totalitarianism more rooted in Abrahamism than the decentralism inherent to our Germanic tribes. Whether it be the political structures, personality cult, or even the architectural style, it had more to do with the Imperial Roman solar cult and Charlemagne's Reich than with Germanic Paganism. It used the Thule Society and other Occultists to be propelled to power, but once achieved turned on them and suppressed occultism in general for the public while filling their own State archives with that knowledge much like the Soviet elites did.
(4) Strong's Greek Concordance, 5331.
(5) Robert Jungk. Brighter than a Thousand Suns: A Personal History of the Atomic Scientists. New York: Harcourt Brace, 1958, p. 201.
(6) A.C. Bhaktivedanta Swami Prabhupada. Bhagavad-Gita As It Is. Los Angeles: The Bhaktivedanta Book Trust, 1972, p. 183.
(7) Ray Monk. Robert Oppenheimer: A Life Inside the Center. New York/Toronto: Doubleday, 2012, pp. 467-468.
(8) Calling Deities archetypes or power-forces does not make them less "real" or Transcendent, as our Pagan perspective being Animistic means we know even aspects of Nature and power-forces possess Consciousness. I recognize and respect these Vedic Deities, although for my own ethnic reasons I work with my native Germanic and Celtiberian archetypal Deific power-forces. We have our equivalents and many similar traditions given our common Indo-European heritage.
(9) Robert A. Johnson. Owning Your Own Shadow: Understanding The Dark Side of The Psyche. HarperSanFrancisco, 1994.
(10) Wolf-Dieter Storl. Shiva: The Wild God of Power and Ecstasy. Rochester, VT: Inner Traditions, 2004, pp. 3-4.
(11) John Lamb Lash. Not In His Image: Gnostic Vision, Sacred Ecology, and the Future of Belief, 15th Anniversary Edition. White River Junction, VT: Chelsea Green Publishing, 2021, p. xx. "Gnostic" was the term given to them by their detractors, whereas they called themselves Telestai "we who are aimed," meaning "we know our purpose". I endorse his research that places the Gnostic origins in the Pagan Mystery Schools rather than the "heretical" sect of Christianity as it has been distorted.
(13) Lame Deer, Seeker of Visions. New York: Simon and Schuster, 1972, pp. 75-76.
(15) Albert Camus, "Create Dangerously," Speech at Uppsala University, December 1957. He presented many great thoughts about creativity despite his socialism, for his was an Anarchic soul.
(16) Not to be confused with the modern religion that has syncretic elements drawn from various Pagan traditions, but lacks in authentic reconstruction of those traditions, strewing together some historical Celtic along with invented holidays on a solar "Wheel of the Year" among many other anachronisms.
(17) One of the three tribal groupings descended from the sons of Mannus in the Germanic origin myth recounted by Tacitus. These were the coastal tribes and related to Ing-Freyr, who was the legendary founder of the Anglo-Saxons. I wrote about this origin myth in an article that needs some updating in light of new research and insights: "Divine Progenitors of the Suebi".
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