By Sean Jobst
23 February 2023
[Published simultaneously on my Swabian Paganism/Folklore blog, alongside an animistic article]
The various pictures here are public photos of Fastnacht celebrations. So my Gratitude towards each photographer. |
I used to ask my late
Oma about our paternal ancestors and their traditions, collecting all the
information I could no matter how small (even daily habits). I felt the
importance of Ancestors, knowing we each come from a continuous line of successive
generations who made us the individuals we are. Not just the gift of life our
Ancestors gave to us – for we are alive exactly because of their choices, love,
and overcoming challenges – but even in the subtle qualities we may not even be
conscious about. We should cultivate that Gratitude to truly know ourselves. The
health and psychological benefits of a relationship with one’s Ancestors is
well-known – and second nature to we who reclaim its spiritual implications.
My great-grandparents
and Oma were from Bad Cannstatt, now a part of Stuttgart that I personally
visited back in July 2016. But my great-great-grandparents and as far as we
could recount, were from two villages in the Ostalbkreis region of the Swabian
Alps (on the administrative border of Wurttemberg with Bayern, but in the heart
of Schwaben) – Ellwangen and Bopfingen/Baldern. (One of my family lines, the
Vaas, were originally from northern Spain but settled in Ellwangen sometime around then. My Schneider
line was from Baldern while my Neuner line I found some links to the Swabian
part of Bayern). Among my prized possessions are family pictures from the 19th
century of our farm, wirtschaft (inn/guesthouse), and the always-looming Schloss
Baldern.
One of these
traditions I learned is Fastnacht, which this year coincided with the New Moon
on 20th-21st February. Ostensibly a cultural tradition of our “Catholic” faith,
seeing with the deeper perception of a Pagan/Heathen I find remnants of our
indigenous faith borne from our ancestral landscape. These were absorbed into
the Church but did not originate with them. As readers of my articles are
aware, its my firm contention that Paganism was not completely “lost” but has
survived continuously in the various folklore, folk medicine, and folk magic
traditions; and also embedded in the collective Unconscious, surfacing through
various symbols and archetypes – such as occurs in much of the imagery around
Fastnacht.
Jesters of baroque Italian style - Wolfacher Schellen- und Röslehansel |
General Thesis. Although it broadly shares many features with the Carnival traditions of other regions and countries, enough distinctions exist from those foreign traditions and common features with each other to identify a distinctive Schwäbisch-Alemannischen Fastnacht throughout all historic lands of the Suebi and Alemanni: Schwaben, Alsatz, Schweiz, and Vorarlberg. That it extends despite artificial divisions between Katholisch and Evangelisch further illustrates pre-Christian Heathen traditions and customs before Christianity was imposed by the Frankish conquerers.
Etymology. Fas(t)nacht and its dialect variations (Fassenacht, Fasnet, Fasent, Fasching) seem to originate with fasten “to fast” as celebrations preceding the Lenten time of fasting (Kalchthaler and Sigmund, 8). This leads most academics to presume Fastnacht originated in the civitas diaboli tradition of the Catholic Church (Beitl, Sund, et. al., 15). They operate under the false presumption that fasting arrived as a Christian tradition, whereas there is evidence of fasting as a Pagan tradition: For example, in the 700s the Archbishop of Canterbury Theodore reported in his Paenitentiale Theodori that Anglo-Saxon Pagans were fasting to honor the moon, cure illnesses, and generally for good health. As for Germany, around 932 Bishops outlawed fasting because they identified it as a lingering Heathen practice of divination.
That fasting existed within both the Vedas and Hellenic
philosophers leads us to recognize it similarly within Germanic Heathen
practice given the common Indo-European roots with those other traditions. That Fastnacht expressed some Pagan origins can be seen in the Church's claims of "excess" as with other Carnival traditions, ultimately choosing to appropriate and infuse it within their confines as they did with other folkloric celebrations that couldn't be completely suppressed. A good rule of thumb for anyone reclaiming an indigenous faith amidst the official religion is to see what those religious hierarchies prohibited.
"The Fight Between Carnival and Lent" (1559) by the Flemish painter Peter Bruegel the Younger. An homage to my maternal Vlaam heritage. |
Lent as Seasonal. That
Fastnacht is a surviving remnant of the traditional lunisolar Germanic calendar
is proven exactly by its link to Lent. Rather than being created by the
Catholic Church (much less a Latin term), Lent was simply the Anglo-Saxon term
for “spring” and even today the Dutch/Flemish term Lente means “spring”. Its
for the same reason that native Germanic words like “Easter” – from the Spring
and Dawn Goddess Ostara – prevailed over the Hebrew term “pascha” that expressed a link to Passover. The
Christian Frankish chronicler Einhard, in his Vita Karoli Magni (circa 830,
Chapter 29), listed the third moon of the Frankish year as Lentzimanod
(Lengthening Moon/Month), preceding Ostarmanod as the fourth moon. “The church
is more Heathen than those using the equinox to date ‘Ostara;’ as the church,
like the Frankish and Anglish Heathens dated their Eostre to a Full Moon. The
first day of Lentzinmanoth (a new moon) is about six weeks before the full moon
of ‘Ostar’ (and also about six weeks before Easter Sunday). Hence this six week
period sorta matches the church's six weeks of Lent” (Sass).
Liminal time between
Winter and Spring. Fastnacht with its elaborate mix of “dark” and “light”
elements, expresses the liminal time between Winter and Spring. Its well known
that St. Valentine’s Day shares more features with the Roman Lupercalia than anything
Biblical, so we can use the same logic to many other festivities of this time.
As midpoint between Yule and Ostara, Fastnacht is part of the broader tradition
of February festivities like Candlemas and Imbolc that were symbolic of “when
the pre-spring moon announces that winter is losing its strength and the ‘sun
buck jumps” (Storl, 54), devoted to the Celtic Spring Goddess Brigit/Brigantia.
Common in Celtic lands, Candlemas is “the Christianized version of the old
Celtic pagan Imbolc” with its observable Pagan traditions like caroling and
wassailing (Emerick, 54; Owen, 247).
One of the
distinctions to Fastnacht is exactly because our Suebi and Alemanni ancestors
absorbed the pre-existing Celts who also form part of our bloodlines. Nor is it
any accident, as argued by scholars such as Philip A. Shaw, that the veneration
of Ostara thrived exactly in those regions with earlier Celtic veneration of
the Matronae. So that Fastnacht is uniquely Alpine going back to the most
ancient times. For example, the similar features between Perchta with the
Befana figure of northern Italy – through the medium of the Celts who were
indigenous to all the Alpine regions.
Hooriger Bär (hairy bear) of the Poppelezunft Singen |
Observing the
Shamanic Bear Spirit. In his explanation of Fastnacht, Wolf-Dieter Storl traced its masks and costumes
to representations of spirits of the forests and mountains. He even theorized
that Groundhog’s Day is a survival of the time when one observed the bear
coming out of hibernation in a cave as an omen for whether spring would come or
not. Pennsylvania Deutsch Heathens called Urglaawe similar make a connection
between Fastnacht (which they called Fawesenacht) and Groundhog’s Day
(Schreiwer and Eckhart, 23). There are shamanic qualities to such
bear symbolism, including to rebirth and solar cycles, Germanic warriors
wearing bear skins to carry on the “ecstasy” (wode) personified by Wodan, and
the related Germanic concepts of inherited “luck” and a “guardian spirit” that
was often the bear. The Fastnacht processions of costumed and masked “spirits” are
mock representations of the Wild Hunt.
Purification and
Rebirth. Fastnacht has other shamanic and fertility connotations through the
figure of Perchta, whom I discussed elsewhere in greater detail. Fastnacht festivals use birch – considered her material as
the one who presides over the spirit of witches roaming across this time of
year (leading up to Walpurgisnacht).
“During the Alemannic carnival, the archaic, colorful festival at which many
costumed and masked people parade as various ‘spirits’ in February, the witches still carry a birch
broom, occasionally ‘riding’ it and symbolically swooshing it around to cleanse
the atmosphere. The role of the witches is usually played by men because it is
believed that women are more receptive in nature and more likely to be
possessed by the spirits represented on the masks” (Storl, 70-71). Similarly,
the Pennsylvania celebration is marked by such practices as a cackling and
crowing called “Du bischt die fawsenacht” (Shoemaker), and a folkloric figure
named Butzemann who is honored by taking “vanquished habits and negative
energies with him in fire on Allelieweziel” (Schreiwer and Eckhart, 24). The
element of fire was understood as purifying, so that bonfires were a common
feature of all these liminal festivals that marked the changing of seasons –
its about the release of spiritual energies.
Fastnacht Guilds. The last noteworthy aspect to me is that of competing Fastnacht guilds: “Swabia is the region for the ‘Narrenzünfte’ (in English Narr means ‘Fool’ but it would be wrong to use it; Zunft means ‘guild’, so let’s call it Fasnacht guild). Almost every village and city has its own Narrenzunft in the region of the South-West to the Northern part of Switzerland. Every member of a Narrenzunft has its own costume and mask that is called ‘Larve’. They are made out of wood, fabric, ceramic or wire. Every costume is hand made and shows the specific theme of the Narrenzunft.” To me this harkens back to the decentralized socio-political structures of the Suebi/Alemanni called pagi or cantons. It also expresses the creativity and imagination nourished out of friendly competition. Each one creates something unique and distinctive, together making Fastnacht the vibrant, living Swabian tradition it is.
Rämässer Narrenzunft from Ringsheim, Schwarzwald |
References:
Beitl, Klaus; Horst Sund; et. al. Fas(t)nacht
in Geschichte, Kunst und Literatur. Konstanz: Universitätsverlag Konstanz,
1984.
Emerick, Carolyn. European Christmas Lore: Collected Works.
CreateSpace Independent Publishing, 2018.
Kalchthaler, Peter and Sigmund, Hans. Hexen, Lalli,
Flecklehäs. Freiburg: Herder Verlag, 2007.
Owen, Trefor M. “The Celebration of Candlemas in Wales.” Folklore, Vol. 84, No. 3, Autumn 1973, pp. 238-251.
Sass, Robert. “The REAL Origins of Lent vs. Historical
Sigrblot. Modern Paganism vs. Historical Heathenry”. Feb. 27, 2020. < https://www.aldsidu.com/post/the-real-origins-of-lent>.
Schreiwer, Robert L. and Ammerili Eckhart. A Dictionary of
Urglaawe Terminology. 2012.
Shaw, Philip A. Pagan Goddesses in the Early Germanic World:
Eostre, Hreda and the Cult of Matrons. London: Bristol Classical Press, 2011.
Shoemaker, Alfred L. Eastertide in Pennsylvania. Mechanicsburg,
PA: Stackpole Books, 2000.
Storl, Wolf-Dieter. The Untold History of Healing: Plant Lore
and Medicinal Magic from the Stone Age to Present. Berkeley, CA: North Atlantic
Books, 2017.
Fire-themed Fastnacht mask |
Fasnacht in Willisau (2012) |
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